We have here such a summary both of the brass-work and the gold-work of the temple as we had before (Kg1 7:13, etc.), in which we have nothing more to observe than, 1. That Huram the workman was very punctual: He finished all that he was to make (Ch2 4:11), and left no part of his work undone. Huram, his father, he is called, Ch2 4:16. Probably it was a sort of nickname by which he was commonly known, Father Huram; for the king of Tyre called him Huram Abi, my father, in compliance with whom Solomon called him his, he being a great artist and father of the artificers in brass and iron. He acquitted himself well both for ingenuity and industry. 2. Solomon was very generous. He made all the vessels in great abundance (Ch2 4:18), many of a sort, that many hands might be employed, and so the work might go on with expedition, or that some might be laid up for use when others were worn out. Freely he has received, and he will freely give. When he had made vessels enough for the present he could not convert the remainder of the brass to his own use; it is devoted to God, and it shall be used for him.

The doors - were of gold - That is, were overlaid with golden plates, the thickness of which we do not know.
That every thing in the tabernacle and temple was typical or representative of some excellence of the Gospel dispensation may be readily credited, without going into all the detail produced by the pious author of Solomon's Temple Spiritualized. We can see the general reference and the principles of the great design, though we may not be able to make a particular application of the knops, the flowers, the pomegranates, the tongs, and the snuffers, to some Gospel doctrines: such spiritualizing is in most cases weak, silly, religious trifling; being ill calculated to produce respect for Divine revelation.

See Introduction to Chapter 4

Next: 2 Chronicles Chapter 5

Huram made--(See on Kg1 7:40).

Next: 2 Chronicles Chapter 5