Song of Solomon 1.

¹The song of songs, which is Solomon' s. ²Let him kiss me with the kisses of his mouth: for thy love is better than wine. ³Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee. ⁴Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee. ⁵I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. ⁶Look not upon me, because I am black, because the sun hath looked upon me: my mother' s children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept. ⁷Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions? ⁸If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds’ tents. ⁹I have compared thee, O my love, to a company of horses in Pharaoh' s chariots. ¹⁰Thy cheeks are comely with rows of jewels , thy neck with chains of gold . ¹¹We will make thee borders of gold with studs of silver. ¹²While the king sitteth at his table, my spikenard sendeth forth the smell thereof. ¹³A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts. ¹⁴My beloved is unto me as a cluster of camphire in the vineyards of En -gedi. ¹⁵Behold, thou art fair, my love; behold, thou art fair; thou hast doves’ eyes. ¹⁶Behold, thou art fair, my beloved, yea, pleasant: also our bed is green. ¹⁷The beams of our house are cedar, and our rafters of fir.

Commentary (3)

Adam Clarke

The bride's love to her spouse, Sol 1:1-5. She conffieuses her unworthiness; desires to be directed to the flock, Sol 1:6, Sol 1:7; and she is directed to the shepherds' tents, Sol 1:8. The bridegroom describes his bride, and shows how he will provide for her, and how comfortably they are accommodated, Sol 1:9-17.

John Gill

In this chapter, after the general title of the book, Sol 1:1, the church expresses her strong desires, and most ardent wishes, for some fresh discoveries of the love of Christ to her, and for communion with him; having tasted of his love, smelt a sweet savour in his grace, and enjoyed fellowship with him in his house, Sol 1:2. She observes her blackness and uncomeliness in herself; the trials and afflictions she met with from others; and her carelessness and negligence of her own affairs, Sol 1:5; and entreats her beloved to direct her where she might meet with him, feeding his flocks, and giving them rest, to which he returns a kind and gracious answer; gives her proper instructions where to find him, Sol 1:7; and commends her beauty; sets forth her amiableness and loveliness, by various metaphors; and makes promises of more grace and good things to her, Sol 1:9. And then she declares what a value she had for Christ, her beloved; and how precious he was unto her, like a bundle of myrrh, and a cluster of camphire, Sol 1:12. Christ again praises her beauty; and particularly takes notice of her eyes, and her modest look, Sol 1:15; and she returns the encomium back to him, and expresses her pleasure and satisfaction in the house he had built for her, and the furniture of it, Sol 1:16.

JFB

(CANTICLE I)--THE BRIDE SEARCHING FOR AND FINDING THE KING. (Son. 1:2-2:7)

The song of songs--The most excellent of all songs, Hebrew idiom (Exo 29:37; Deu 10:14). A foretaste on earth of the "new song" to be sung in glory (Rev 5:9; Rev 14:3; Rev 15:2-4).

Solomon's--"King of Israel," or "Jerusalem," is not added, as in the opening of Proverbs and Ecclesiastes, not because Solomon had not yet ascended the throne [MOODY STUART], but because his personality is hid under that of Christ, the true Solomon (equivalent to Prince of Peace). The earthly Solomon is not introduced, which would break the consistency of the allegory. Though the bride bears the chief part, the Song throughout is not hers, but that of her "Solomon." He animates her. He and she, the Head and the members, form but one Christ [ADELAIDE NEWTON]. Aaron prefigured Him as priest; Moses, as prophet; David, as a suffering king; Solomon, as the triumphant prince of peace. The camp in the wilderness represents the Church in the world; the peaceful reign of Solomon, after all enemies had been subdued, represents the Church in heaven, of which joy the Song gives a foretaste.

Cross-references (97)

Verse 1

Verse 2

Verse 3

Verse 4

Verse 5

Verse 6

Verse 7

Verse 8

Verse 9

Verse 10

Verse 11

Verse 12

Verse 13

Verse 14

Verse 15

Verse 16

Verse 17